Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] price

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay for that unrest? Katniss. And what's worse, President Snow has made it clear that nobody else remains safe and secure either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one with the most mentioned books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said through the start that The Hunger Games story was intended as being a trilogy. Did it genuinely end the way you planned it from your beginning?

A: Very much so. While I didn't know every detail, of course, the arc with the story from gladiator game, to revolution, to war, on the eventual outcome remained constant through the entire writing process.

Q: We understand you worked for the initial screenplay for the film being based on The Hunger Games. What could be the biggest distinction between writing a novel and writing a screenplay?

A: There were several significant differences. Time, for starters. When you're adapting a novel right into a two-hour movie you can't take everything with you. The story has to become condensed to match the newest form. Then you have the question of how best to take the sunday paper told in the first person and offer tense and transform it right into a satisfying dramatic experience. In the novel, you don't ever leave Katniss to get a second and therefore are privy to any or all of her thoughts so you will need a strategy to dramatize her inner world and to create it easy for other characters to exist outside her company. Finally, there is the challenge of how to present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A great deal of situations are acceptable on the page that wouldn't be on the screen. But how certain moments are depicted will ultimately be inside the director's hands.

Q: Are you in a posture to consider future projects while working on The Hunger Games, or are you immersed in the world you're currently creating so fully that it is simply too difficult to take into consideration new ideas?

A: We've a couple of seeds of ideas boating inside my head but--given much of my focus continues to be on The Hunger Games--it is going to be awhile before one fully emerges and that i can begin to develop it.

Q: The Hunger Games is a yearly televised event where one boy and one girl from each from the twelve districts is instructed to participate inside a fight-to-the-death on live TV. What can you think that the benefit of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an curiosity about seeing who wins. The contestants are often unknown, which ensures they are relatable. Sometimes they've very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I have found very disturbing. There's also the opportunity for desensitizing the audience, to ensure after they see real tragedy playing out on, say, the news, this doesn't happen have the impact it should.

Q: Should you were made to compete inside the Hunger Games, what do you think your personal skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope will be to obtain hold of the rapier if there was one available. But reality is I'd probably get with relation to its a four in Training.

Q: What do you hope readers will come away with once they read The Hunger Games trilogy?

A: Questions about how exactly elements of the books could be relevant inside their own lives. And, if they are disturbing, what you might do about them.

Q: What were some of the favorite novels when you are a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but this time it's for world control. While it is often a clever twist on the original plot, it indicates that there's less focus around the individual characters plus more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life in a less vibrant Katniss by showing her despair both at those she feels accountable for killing and and also at her very own motives and choices. This is an older, wiser, sadder, and intensely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn in the rebels and also the victim of President Snow, who uses Peeta to make an effort to control Katniss. Peeta's struggles are very well evidenced in his voice, which goes from rage to puzzlement to a unsure come back to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and a great deal of confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but additionally respects the individuality and unique challenges of each and every in the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.